Bridging the gap

Activism is building. And building doesn't show.

By Blackness Team

| 3 min read
Activism is building. And building doesn't show.

We often mistake speaking up for fighting. The people who actually won something mostly built things that outlived them. It is less spectacular. It lasts longer.

Winning an argument lasts an evening. A loom runs every day.

A good piece of writing can change one mind. Then it fades, and you start again with the next person.

A loom is still turning the next morning. It feeds the woman who sits at it, it buys the cotton from the man who grew it, and it clothes people who never heard the speech.

That is the whole difference. A position is expressed. A tool is used.

In Burkina Faso, between 1983 and 1987, Thomas Sankara's government required civil servants to wear the Faso Dan Fani, a cloth woven by hand from cotton grown in the country. This was not a matter of style. The cotton left raw and came back as imported fabric, bought for more than it had been sold. Dressing the state in local cloth meant guaranteeing orders for a whole chain: the people who grow it, the women who spin it, the women who weave it.

Sankara was assassinated in 1987. The Faso Dan Fani is still worn. It survived because it was attached to no one. Once families live off a skill, you cannot take it away by changing governments.

What counts is what continues without you

Ella Baker built much of the civil rights movement without ever putting her name on it. In 1970 she summed up her life's work: what is needed, she said, is the development of people who are interested not in being leaders as much as in developing leadership among other people.

Same logic. An organisation, an archive, a craft handed down: these stand on their own when the person who started them walks away.

That is also why we say Team Blackness. What we want to build is not a voice speaking on behalf of people. It is a place where people find each other. A community does not need to be told what to think. It needs somewhere to recognise itself.

We do not even sign our articles. We like being discreet, and if we had a PR team it would advise against it.

A garment is not the decoration of a struggle. It is its tool.

So fighting does not ask you to be beyond reproach, or to strike the right tone, or to shout at the right moment. It asks you to be consistent.

What that means here

We are not a government and we sign no decrees. At our scale, building comes down to rules we set for ourselves and do not negotiate. They cannot be seen from the outside, and that is exactly how you recognise them.

We never publish a quote we cannot trace back to its author, however beautiful, however widely repeated. We cite Afrodescendant voices first, and we name the ones we were taught to forget.

We write « enslaved person », never « slave ». The first describes what was done to someone. The second turns it into an identity.

We publish all year, not only when the calendar suggests it. A dedicated month reassures the people who have nothing to answer for during the other eleven.

And we make clothes built to last, which is the same idea applied elsewhere. A garment that holds for ten years is still saying something ten years later.

None of this makes any noise. Put end to end, it makes an archive, and an archive does not let itself be contradicted.

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We are Blackness

Born of a commitment: keeping African heritage alive, and bringing people together around it. We have no lessons to give. We look, we write, and what we understand eventually becomes a garment.